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A Case Study of Transference

PHOTO|VIDEO

1993-1994

Location:Beijing, China

Medium: Performance, mixed media installation / Ink and live pigs


When this work was initially performed in Beijing, it revealed an unexpected and surprising dynamic between the spectators and the spectacle. Just before the event took place there was some concern that, once confronted with the unfamiliar cultural environment of the exhibition hall, the pigs would become too nervous to perform the crucial act. But in fact the result was just the opposite: the pigs themselves were completely unfazed, and blithely ignoring their human onlookers pursued their lovemaking with great gusto. It was rather the audience members who found themselves in an embarrassing and awkward position. What ultimately was exposed was not any sense of discomfort or displacement on the part of the pigs, but the limitations and the inability to adapt of the human audience. Xu Bing states: ''These two creatures, devoid of human consciousness, yet carrying on their bodies the marks of human civilization, engage in the most primal form of 'social intercourse.' The absolute directness of this undertaking produces a result that is both unthinkable and worth thinking about. In watching the behavior of the two pigs, we are led to reflect on human behavior.'' To the artist, the process of caring for and working with the pigs constitutes ''a kind of ongoing sociological experiment, touching on myriad issues.'' 

ANIMALS

Series

  • A  Case  Study  of  Transference:  Times  Overlap

    2018

American Silkworm Series 2

Live silkworms spinning silk on paper, 1994-95

Live silkworms spinning silk on paper, 1994-95

Live silkworms spinning silk on a dictionary, 1995

Live silkworms spinning silk on a book, 1995

Live silkworms spinning silk on a book, 1995

Live silkworms spinning silk on newspaper, 1994-95

Installation view

Xu Bing and his work in progress

PHOTO|VIDEO

1995

Materials: Mixed media installation; silkworm and various objects, including books, laptop computer, papers and photographs


In this installation, hundreds of live silkworms spin their silk over a collection of everyday objects, including books, photographs, even a laptop computer. From day to day, as the show progresses, the silk covering the objects thickens, consuming and obscuring them from sight as the worms continue to spin silk. The artist states that he chooses to work with silkworms ''because of their pronounced cultural connotation and their quality of natural transformation. They are also very easy to work with.''

ANIMALS INSTALLATION