OTHER ARTICLES OF INTEREST
Please check back with us as full texts of the following articles are being included in the website.
Abe, Stanley K.." Tobacco Art-Xu Bing's Tobacco Project." Duke University Libraries Newsletter. (Durham:2001), p. 3-7.
Abe, Stanley K.. "No-Sense From Out There: Xu Bing's 'Tian Shu' (A Book from the Sky) in the West." (Paper presented at CAA Annual Conference, Boston, 1996).
Abe, Stanley K.. "No Questions, No Answers: China and A Book from the Sky." boundary 2. Vol. 25, no. 3 (Fall 1998), p. 169-192.
Bai Qianshen. "Review of 'Word Play:Contemporary art by Xu Bing'." Shanhua (Mountain Flowers). vol. 1 (Guizhou: 2002).
Barme, Geremie. "Xu Bing: A Chinese Character."Art Monthly Australia. Vol. 61 (July 1993), p.13-14.
Berger, Patricia. "Pun Intended: A response to Stanley Abe, 'Reading the Sky'." Cross-Cultural Readings of Chineseness. Wen-hsin Yeh, ed. (Berkeley: Institute of East
Asian Studies, University of California), p. 80-100.
Buchanan, Richard. "Art, Design and the Pursuit of Happiness: No Turning Back." (Thesis presented at a Chicago Museum of Art Symposium, 1990), p. 1-28.
Cameron, Dan. Xu Bing: Introduction to New English Calligraphy. Exhibition brochure. (New York: New Museum of Contemporary Art, 1998).
Cayley, John. "Description of A Book from the Sky." Hanshan Tang Books. Book catalogue list 82 (London: Hanshan Tang Books, 1997).
Cayley, John. "Scrittura (Sotto il) Cielo: Il Libro dal Cielo de Xu Bing." ("Writing {under} Sky: On Xu Bing's "Tianshu."). In Forma di Parole: Un'altra Cina: Poeti e narratori
degli anni Novanta. (Bologna: In Forma di Parole, 1999), p. 145-53; Jerome Rothenberg and Stephen Clay, ed. A Book of the Book: Some Work and Projections About the
Book and Writing. (New York: Granary Books, 2000), p. 497-503.
Chang, Tsong-zung. "Desire for Words." Desire for Words. Exhibition catalogue (Hong Kong: Hong Kong Arts Centre, 1992).
Chen cun-rui. "The Emergence of Chinese Modernism: The Embodiement of the Collective Consciousness of the Age." (Paper presented at the Central Academy of Fine Art Symposium on Xu Bing's Art). Zhongguo Meishu Bao (Chinese Fine Art Newspaper). vol. 46 (Beijing: 1988), p. 1.
Chen Weihe. Truth and Absurdity." Hsiung Shih Meishu (Lion Art). vol. 217 (Taipei: July, 1989).
Chen, Weihe. "Xu Bing and his A Book from the Sky." Intellectuals. No. 1 (Beijing 1988), p. 58-62.
Chiba, Shigeo. "A Question Concerning the Imitation Chinese Characters." Classroom Calligraphy. Exhibition catalogue (Tokyo: Tokyo Gallery, 1997).
Chiba, Shigeo. "Far East Art: On Xu Bing" (Thesis presented at the symposium, China Tomorrow: Misunderstanding in Culture Exchange Between the East and West) Paris 1991), p. 15.
Cho, Christina. "Xu Bing - Jack Tilton/New Museum of Contemporary Art" Art News. (December 1998), p. 147.
Colpitt, Frances "Xu Bing: An Introduction." Xu Bing 96.3 - The International Artist-in-Residence Program. Exhibition brochure (1996).
Cotter, Holland. "Metalanguage of Chinese and English." The New York Times. Art in Review Section (August 26th, 1994).
Cotter, Holland. "Calligraphy, Cavorting Pigs and Other Mind-Body Happenings." The New York Times. Art review, Weekend section, (Friday January 25, 2002), p. E45
Daftari, Fereshteh. "The Museum of Modern Art New York, Projects November 22 1999 - May 1, 2000." Brochure for MOMA Projects Series (1999).
Dal Lago, Francesca and Laura Trombetta-Panigadi. "Gli Ideogrammi come arte astratta." ("The Character as Abstract Art.") Arte. No.218 (May 1991), p.72-75.
Danto, Ginger. "Review of the Installation of A Book from the Sky at Bellefroid Gallery, Paris." Art News. Vol. 92, No. 6 (Summer 1993), p. 186.
Doran, Valerie. "Xu Bing: A Logos for the Genuine Experience." Orientations. Vol. 32, no.8 (October 2001), p. 80-87.
Du Jian. "Discussion on 'a Discussion of the Main Principles of New Wave Art'." Wenyi Bao (Literature and Art Newspaper). (Beijing: December 29, 1990).
Duan Lian. "Humans vis a vis Cultural Animals." Rethinking Art at the Turn of the Century: A Cultural Inquiry into POstmodernism in the West and Contemporary Chinese
Art. (Shanghai: Literature and Art Press, 1998), p. 309-23.
Erickson, Britta. Words Without Meaning, Meaning Without Words: The Art of Xu Bing. (Seattle and London: University of Washington Press in association with the Arthur
M. Sackler Gallery, Smithsonian Institution, Washington D.C., 2001). ISBN: 0-295-98143-1.
Erickson, Britta. "Process and Meaning in the Art of Xu Bing." Three Installations by Xu Bing. Exhibition catalogue. (Madison: Elvehjem Museum of Art, University of
Wisconsin-Madison, 1991), p. 2-32.
Erickson, Britta "The Art of Xu Bing." Beijing Beat. No. 9 (January 15, 1999).
Erickson, Britta. "Evolving Meanings in Xu Bing's Art: A Case Study of Transference", Chinese Type Contemporary Art On-line Magazine. Vol.1, No.4, (May 1998),
Republished in John Clark, ed. Chinese at the End of Millennium. (New Art Media) (Hong Kong: New Art Media, 2000), p. 224-232.
Erickson, Britta "Question: Can Contemporary Chinese Ink Painting Receive International Recognition?" Paper Published in Shanghai Biannual Symposium, 1998
Erickson, Britta. "A Case Study of Transference: Xu Bing and the Process of Interpreting Art" (a thesis presented at Communications with/in Asia: Asian Studies
Association of Australia 20th Anniversary Conference, Melbourne), 1996, P1-14
Fan Di'an. "The Pursuit of Eternity: Seeking Xu Bing's Route to Creativity." Meishu Yanjiu (Fine Art Research). vol. 53, no. 1 (February, 1989), p. 37-40.
Fang Zhen-ning. "A Thoughful Absurdity: On Xu Bing's Art." Yishu Jia (Artists) no. 319 (Taipei: December 2001), p. 428-35.
Gao Minglu. "Meaninglessness and Confrontation in Xu Bing's Art." Fragmented Memory: Chinese Artists in Exile. Exhibition catalogue. (Columbus, Ohio: Wexner Center for the Visual Arts, 1993), p. 28-31
Goodman, Jonathan. "A Chinese Character." World Art. no. 14 (New York: 1997), p. 14-16.
Goodman, Jonathan. "Bing Xu: 4,000 Characters in Search of a Meaning," Art News. Vol. 93, No. 7 (September, 1994), p. 99-101.
Goodman, Jonathan. "Xu Bing at Jack Tilton and the New Museum" Art in America. (January 1999), p. 95.
Goodman, Jonathan. "Xu Bing: The Cage of Words", Art AsiaPacific. no. 26 (Spring, 2000), p. 46-49.
Goodman, Jonathan. "Xu Bing- Raleigh, North Carolina." Sculpture. vol. 20, no. 10 (December 2001), p. 70-71.
Gopnik, Blake. "Xu Story: An Artist's Absurd Cast of Characters." The Washington Post. (Sunday, October 28, 2001), p. G1, G4.
Hamlish, Tamara. "Prestidigitation: A Reply to Charles Stone." Public Culture. (monthly University of Chicago) Vol. 6, No. 2 (Chicago: University of Chicago, 1994), p. 419-442.
Hay, Jonathan. "Ambivalent Icons: Works by five Chinese Artists Based in the United States," Orientations. Vol. 23, No. 7, (Hong Kong: July 1992), p. 37-43.
Ho, Heather. "From Ancient to Contemporary, from East and West: The Significant Meanings of 'Word Play: Contemporary Art by Xu Bing' at the Sackler Gallery." CANS Art News. no. 49 (Taipei: November 2001), p. 53-55.
Ho, Heather. "An Introduction of the 'Word Play: Contemporary Art by Xu Bing' Exhibition." CANS Art News. no. 49 (Taipei: November 2001), p. 55-56.
Ho Heather. "Sackler Gallery's Approach of Bridgingthe Ancient and the Contemporary in Asian Art." CANS Art News. no. 51 (Taipei: January 2002).
Hou Hanru. "Xu Bing: Atop the Point of a Frozen Peak." Hsiung Shih Meishu (Lion Art). no. 235 (September 1990), p. 133-135.
Hu Heqing. "Xu Bing's 'Book from the Sky' with New Wave Calligraphy." Beijing Shufa Yanjiu (Beijing Calligraphy Research). vol. 55, no. 5 (Beijing: 1993).
Jia Fangzhou. "A Book From the Sky: Five Explanations." Jiangsu Art Monthly. (Nanjing, China: May 1989), p. 17-20.
Kao Chien Hui. "Analyzing a Decade of Contemporary Chinese Art through a Study of Xu Bing's Work from Three Periods." Yishu Jia (Artists). no. 293 (Taiwan), p. 281-287.
Karatani, Koujin. "Xu Bing." Xu Bing: A Book from the Sky. Exhibition cat. (Tokyo: Tokyo Gallery, 1991).
Karetzky, Patricia Eichenbaum. "A Modern Literati: The Art of Xu Bing." Oriental Art. Vol. XLVII, no. 4 (Hong Kong: 2001), p. 47-52.
Kato, Chihiro. "Chinese Avant-garde Art: Creation of 4,000 Real-looking But Spurious Ideograms." Aera. vol.41, no. 4 (October 1991), p. 50.
Kesner, Ladislav. "To Frighten Heaven and Earth and Make the Spirits Cry." Exhibition catalogue. (Prague: the National Gallery, 2000).
Kim, Yu Yeon. "Fragmented Stories." Cinco Continentes y una Ciudad. (Gobierno del Distrito Federal, 1998), p. 131.
Kivirinta, Marja-Terttu. "Xu Bing naki Nepalin koyhyyden." (Xu Bing Saw Poverty in Nepal) Helsingin Sanomat. (June 27, 2000).
Koh, Germaine "Xu Bing." Crossings. Exhibition catalogue. (Ottawa: National Gallery of Canada, 1998), p. 174-179.
Komatsuzaki Takuo, "Where is a single anthology - Infinite Chinese and letter Play." The Library of Babel. Exhibition Catalogue. (Tokyo: ICC-NTT Inter Communication Center, 1998).
Le Courtois-Mitchell, Vivienne. "Making Art: A Role for Live Animals in Installation and Performance Art in the 1990s." Eyelevel Magazine. Premiere issue, (Denver:
Autumn, 2001), p. 3-5.
Leng Lin. "Art for the People: Xu Bing Participates in Creating." Diancang (Art and Collection).
Li Qun. "My Opinions of 'New Wave Art': A Discussion with Du Lian." Wenyi Bao (Literature and Art Newspaper). (Beijing: March 30, 1991), p. 6.
Liang Yihu. "Breaking the Stubbornnes of Chinese Characters: Xu Bing's "A Book from the Sky'." Tu po (Breakthrough). vol. 177, no. 7-8 (Hong Kong: 1989).
Liu Ke-su. "'A Mirror to Analyze the World' and Relationships to the Concept of Chi." Meishu (Fine Art). Beijing: May 1990).
Liu Xiaochun. "Looking for the 'Realness' of Off-the-Frame Art: Chen Danqing's Critique of Xu Bing." Meishu Guangcha (Fine Art Observation). p. 5-6.
Liu Xiaochun. "Instead of Following, Find an Entry Point within Avant-garde Art." Jieti Yu Chongjian-Lun Zhongguo Dangdai Meishu (Deconstructing and Rebuilding:
Discussing Chinese Contemporary Art). (Jiangsu: Fine Art Press, 1993), p. 244-250.
Lloyd, Ann Wilson. "Binding Together Cultures With Cords of Wit." The New York Times. Arts and Leisure Section (June 18, 2000), p. 35, 37.
Lloyd, Ann Wilson. "Lost and Found." Xu Bing: Language Lost. Exhibition catalogue (Boston: Massachusetts College of Art, 1995), p. 20-24
Lloyd, Ann Wilson. "Reality-trek."Delicate Balance: Six Routes to the Himalayas. Exhibition catalogue (Helsinki: Kiasma Museum of Contemporary Art, 2000), p. 40-41.
Lloyd, Ann Wilson."Xu Bing at Massachusetts College of Art, Boston." Sculpture Magazine. Review (January 1996).
Lu, Sheldon Hsiao-peng. "Global POSTmoderIZATION: the Intellectual, the Artist and China's Condition." boundary 2. Vol. 24, no. 3 (Durham: Duke University Press, 1997), p. 92-95.
Mong, Adrienne." The Power of Make-Believe." ART FAR EASTERN ECONOMIC REVIEW. (Sept. 14, 2000), p. 84-85.
Olivova, Lucie. "Cinsky Grafik Xu Bing." Novy Orient. Rocnik 56 (Prague: 2001).
Olivova, Lucie. "Nase Generace Povazuie Kultiuru z a Cosi Zmateneho." Atelier Prague. Vol. 20 (Prague: 2000).
O'Sullivan, Michael. "Xu Bing's Verbal Cure." The Washington Post. Weekend edition, Arts Section (Friday, November 2, 2001), p. 53.
Paschal, Huston. Reading Landscape. Gallery guide (Raleigh: North Carolina Museum of Art, 2001).
Pasquariello, Lisa. "From Work to Text and Back Again" Fractured Fairy Tales: Art in the Age of Categorical Disintegration. Exhibition catalogue (Durham: Duke University
Museum of Art, 1996), p. 13-24.
Peterson, Michael. "A Book that Resists Reading the Enormous Signs of Xu Bing." Fine Art. (New York: January 1992), p. 1-3.
Rawanchaikul, Toshiko. "Xu Bing", The 1st Fukuoka Asian Art Triennale 1999. Exhibition catalogue (Fukuoka: Fukuoka Asian Art Museum, 1999).
Reuter, Laurel. "Into the Dark Sings the Nightingale: The Work of Xu Bing." Xu Bing Series Exhibition 1. Exhibition brochure (Grand Forks: North Dakota Museum of Art, 1992), p. 1-3
Reuter, Laurel. "Musing into Winter." Art Journal. Vol. 53, no. 3 (New York: CAA-College Art Association, 1994), p. 46-59.
Rhem, James. "Review of Exhibition of Three Installations by Xu Bing, Elvehjem Museum of Art, Madison, Wisconsin." New Art Examiner. Vol. 19, No. 9 Wisconsin, 1992), p. 37.
Shaw-Eagle, Joanna. "Monumental Wordplay At Sackler." The Washington Times. Arts and Entertainment Section (November 17, 2001). p. D4.
Sherman, Mary. "Xu Bing and a Prayer." ARTnews. Vol.94, No. 10 (New York: December 1995), p. 55-56.
Silbereld Jerome, Persistence/Transformation: text as image in the art of Xu Bing
Smith, Karen. "Xu Bing's New Work: Cultural Animals." Hsiung Shih Meishu. No. 285 (November 1994), p. 82-4.
Solomon, Andrew. "An Ancient Garden Youthfully Abloom: Chinese Art Today." The New York Times. Arts and Leisure Section, section 2 (Sunday, November 11, 2001), p. 35 36.
Stone, Charles. "Xu Bing and the Printed Word," Public Culture. Vol.6, No. 2 (Chicago: University of Chicago Press, 1994), p. 407-410.
Sturman, Peter C. "Measuring the Weight of the Written Word: Reflections on the Character-Paintings of Chu Ko and the Role of Writing in contemporary Chinese Art."
Orientations. Vol. 23, No. 7 (Hong Kong: 1992), p. 44-52.
Wang, Eugene Yuejin. "Of Text and Texture: The Cultural Relevance of Xu Bing's Art." Xu Bing: Language lost. Exhibition catalogue. (Boston: Massachusetts College of Art), 1995), p. 7-15.
Weintraub, Linda. "Allegorical Persona." Animal.Anima.Animus. Exhibition catalolgue. (Helsinki: Pori Art Museum, 1998), p. 43-49.
Wu Hung. "Counter Monument: Xu Bing's Ghosts Pounding on the Wall." Transience: Chinese Experimental Art at the End of the 20th Century. Exhibition catalogue (Chicago: The Smart Gallery and the University of Chicago, 1999), p. 31-35.
Wu, Hung. "A Ghost Rebellion: Notes on Xu Bing's 'Nonsense Writing' and Other Works." Public Culture. Vol. 6, no. 2 (Chicago: University of Chicago, 1994), p. 411-418.
Yang, Alice. "Xu Bing: Rewriting Culture." Why Asia? Contemporary Asian and Asian American Artists. (New York: New York University Press, 1998), p. 24-9.
Yang, Alice. "Beyond Nation and Tradition: Art in Post-Mao China." Why Asia? Contemporary Asian and Asian American Artists. (New York: New York University Press, 1998), p. 107-118.
Yao Souchou. "Xu Bing: Frighten Heaven and Make the Spirits Cry", (exhibition catalogue, Beyond the Future: The Third Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, 1999).
Yee, Lydia. "Xu Bing." Xu Bing: Recent Work. Exhibition brochure (New York: The Bronx Museum of Arts, 1994), p. 1-2.
Yee, Lydia. "Xu Bing." Sydney Biannale. Exhibition catalogue (Sydney: Biennale of Sydney, Ltd., 2000), p. 128-9.
Yin, Jinan. "Ghosts Pounding the Wall and Meaninglessness." Hsiung Shih Meishu. Vol. 235 (September 1990), p. 125-133.
Ying Wang, Reinventing Tradition in A new World: The arats of Gu Wenda, Wang Mansheng, Xu Bing and Zhang Hongtu
Zheng Shengtian. "Madison Gui Da Qiang." Hsiung Shih Meishu. Vol. 253 (Taipei: November 1991), p. 119-124.
Zheng Shengtian with Norman Klein. "Langchao zhi di." (At the Base of the Wave.) Hsiung Shih Meishu. Vol 249 (Taipei: November 1991), p. 178-181.
"Seven Critics Discuss 'Elementary New English Calligraphy' by Xu Bing." (Wang yichuan, Dao Zi, Zhang Yiwu, Lei Yi, Feng Boyi, Bai Qianshen, John R. Finlay) Artscircle.
No.129 (Guangxi, China: February 1997), p. 21-24.
Please check back with us as full texts of the following articles are being included in the website.
Abe, Stanley K.." Tobacco Art-Xu Bing's Tobacco Project." Duke University Libraries Newsletter. (Durham:2001), p. 3-7.
Abe, Stanley K.. "No-Sense From Out There: Xu Bing's 'Tian Shu' (A Book from the Sky) in the West." (Paper presented at CAA Annual Conference, Boston, 1996).
Abe, Stanley K.. "No Questions, No Answers: China and A Book from the Sky." boundary 2. Vol. 25, no. 3 (Fall 1998), p. 169-192.
Bai Qianshen. "Review of 'Word Play:Contemporary art by Xu Bing'." Shanhua (Mountain Flowers). vol. 1 (Guizhou: 2002).
Barme, Geremie. "Xu Bing: A Chinese Character."Art Monthly Australia. Vol. 61 (July 1993), p.13-14.
Berger, Patricia. "Pun Intended: A response to Stanley Abe, 'Reading the Sky'." Cross-Cultural Readings of Chineseness. Wen-hsin Yeh, ed. (Berkeley: Institute of East
Asian Studies, University of California), p. 80-100.
Buchanan, Richard. "Art, Design and the Pursuit of Happiness: No Turning Back." (Thesis presented at a Chicago Museum of Art Symposium, 1990), p. 1-28.
Cameron, Dan. Xu Bing: Introduction to New English Calligraphy. Exhibition brochure. (New York: New Museum of Contemporary Art, 1998).
Cayley, John. "Description of A Book from the Sky." Hanshan Tang Books. Book catalogue list 82 (London: Hanshan Tang Books, 1997).
Cayley, John. "Scrittura (Sotto il) Cielo: Il Libro dal Cielo de Xu Bing." ("Writing {under} Sky: On Xu Bing's "Tianshu."). In Forma di Parole: Un'altra Cina: Poeti e narratori
degli anni Novanta. (Bologna: In Forma di Parole, 1999), p. 145-53; Jerome Rothenberg and Stephen Clay, ed. A Book of the Book: Some Work and Projections About the
Book and Writing. (New York: Granary Books, 2000), p. 497-503.
Chang, Tsong-zung. "Desire for Words." Desire for Words. Exhibition catalogue (Hong Kong: Hong Kong Arts Centre, 1992).
Chen cun-rui. "The Emergence of Chinese Modernism: The Embodiement of the Collective Consciousness of the Age." (Paper presented at the Central Academy of Fine Art Symposium on Xu Bing's Art). Zhongguo Meishu Bao (Chinese Fine Art Newspaper). vol. 46 (Beijing: 1988), p. 1.
Chen Weihe. Truth and Absurdity." Hsiung Shih Meishu (Lion Art). vol. 217 (Taipei: July, 1989).
Chen, Weihe. "Xu Bing and his A Book from the Sky." Intellectuals. No. 1 (Beijing 1988), p. 58-62.
Chiba, Shigeo. "A Question Concerning the Imitation Chinese Characters." Classroom Calligraphy. Exhibition catalogue (Tokyo: Tokyo Gallery, 1997).
Chiba, Shigeo. "Far East Art: On Xu Bing" (Thesis presented at the symposium, China Tomorrow: Misunderstanding in Culture Exchange Between the East and West) Paris 1991), p. 15.
Cho, Christina. "Xu Bing - Jack Tilton/New Museum of Contemporary Art" Art News. (December 1998), p. 147.
Colpitt, Frances "Xu Bing: An Introduction." Xu Bing 96.3 - The International Artist-in-Residence Program. Exhibition brochure (1996).
Cotter, Holland. "Metalanguage of Chinese and English." The New York Times. Art in Review Section (August 26th, 1994).
Cotter, Holland. "Calligraphy, Cavorting Pigs and Other Mind-Body Happenings." The New York Times. Art review, Weekend section, (Friday January 25, 2002), p. E45
Daftari, Fereshteh. "The Museum of Modern Art New York, Projects November 22 1999 - May 1, 2000." Brochure for MOMA Projects Series (1999).
Dal Lago, Francesca and Laura Trombetta-Panigadi. "Gli Ideogrammi come arte astratta." ("The Character as Abstract Art.") Arte. No.218 (May 1991), p.72-75.
Danto, Ginger. "Review of the Installation of A Book from the Sky at Bellefroid Gallery, Paris." Art News. Vol. 92, No. 6 (Summer 1993), p. 186.
Doran, Valerie. "Xu Bing: A Logos for the Genuine Experience." Orientations. Vol. 32, no.8 (October 2001), p. 80-87.
Du Jian. "Discussion on 'a Discussion of the Main Principles of New Wave Art'." Wenyi Bao (Literature and Art Newspaper). (Beijing: December 29, 1990).
Duan Lian. "Humans vis a vis Cultural Animals." Rethinking Art at the Turn of the Century: A Cultural Inquiry into POstmodernism in the West and Contemporary Chinese
Art. (Shanghai: Literature and Art Press, 1998), p. 309-23.
Erickson, Britta. Words Without Meaning, Meaning Without Words: The Art of Xu Bing. (Seattle and London: University of Washington Press in association with the Arthur
M. Sackler Gallery, Smithsonian Institution, Washington D.C., 2001). ISBN: 0-295-98143-1.
Erickson, Britta. "Process and Meaning in the Art of Xu Bing." Three Installations by Xu Bing. Exhibition catalogue. (Madison: Elvehjem Museum of Art, University of
Wisconsin-Madison, 1991), p. 2-32.
Erickson, Britta "The Art of Xu Bing." Beijing Beat. No. 9 (January 15, 1999).
Erickson, Britta. "Evolving Meanings in Xu Bing's Art: A Case Study of Transference", Chinese Type Contemporary Art On-line Magazine. Vol.1, No.4, (May 1998),
Republished in John Clark, ed. Chinese at the End of Millennium. (New Art Media) (Hong Kong: New Art Media, 2000), p. 224-232.
Erickson, Britta "Question: Can Contemporary Chinese Ink Painting Receive International Recognition?" Paper Published in Shanghai Biannual Symposium, 1998
Erickson, Britta. "A Case Study of Transference: Xu Bing and the Process of Interpreting Art" (a thesis presented at Communications with/in Asia: Asian Studies
Association of Australia 20th Anniversary Conference, Melbourne), 1996, P1-14
Fan Di'an. "The Pursuit of Eternity: Seeking Xu Bing's Route to Creativity." Meishu Yanjiu (Fine Art Research). vol. 53, no. 1 (February, 1989), p. 37-40.
Fang Zhen-ning. "A Thoughful Absurdity: On Xu Bing's Art." Yishu Jia (Artists) no. 319 (Taipei: December 2001), p. 428-35.
Gao Minglu. "Meaninglessness and Confrontation in Xu Bing's Art." Fragmented Memory: Chinese Artists in Exile. Exhibition catalogue. (Columbus, Ohio: Wexner Center for the Visual Arts, 1993), p. 28-31
Goodman, Jonathan. "A Chinese Character." World Art. no. 14 (New York: 1997), p. 14-16.
Goodman, Jonathan. "Bing Xu: 4,000 Characters in Search of a Meaning," Art News. Vol. 93, No. 7 (September, 1994), p. 99-101.
Goodman, Jonathan. "Xu Bing at Jack Tilton and the New Museum" Art in America. (January 1999), p. 95.
Goodman, Jonathan. "Xu Bing: The Cage of Words", Art AsiaPacific. no. 26 (Spring, 2000), p. 46-49.
Goodman, Jonathan. "Xu Bing- Raleigh, North Carolina." Sculpture. vol. 20, no. 10 (December 2001), p. 70-71.
Gopnik, Blake. "Xu Story: An Artist's Absurd Cast of Characters." The Washington Post. (Sunday, October 28, 2001), p. G1, G4.
Hamlish, Tamara. "Prestidigitation: A Reply to Charles Stone." Public Culture. (monthly University of Chicago) Vol. 6, No. 2 (Chicago: University of Chicago, 1994), p. 419-442.
Hay, Jonathan. "Ambivalent Icons: Works by five Chinese Artists Based in the United States," Orientations. Vol. 23, No. 7, (Hong Kong: July 1992), p. 37-43.
Ho, Heather. "From Ancient to Contemporary, from East and West: The Significant Meanings of 'Word Play: Contemporary Art by Xu Bing' at the Sackler Gallery." CANS Art News. no. 49 (Taipei: November 2001), p. 53-55.
Ho, Heather. "An Introduction of the 'Word Play: Contemporary Art by Xu Bing' Exhibition." CANS Art News. no. 49 (Taipei: November 2001), p. 55-56.
Ho Heather. "Sackler Gallery's Approach of Bridgingthe Ancient and the Contemporary in Asian Art." CANS Art News. no. 51 (Taipei: January 2002).
Hou Hanru. "Xu Bing: Atop the Point of a Frozen Peak." Hsiung Shih Meishu (Lion Art). no. 235 (September 1990), p. 133-135.
Hu Heqing. "Xu Bing's 'Book from the Sky' with New Wave Calligraphy." Beijing Shufa Yanjiu (Beijing Calligraphy Research). vol. 55, no. 5 (Beijing: 1993).
Jia Fangzhou. "A Book From the Sky: Five Explanations." Jiangsu Art Monthly. (Nanjing, China: May 1989), p. 17-20.
Kao Chien Hui. "Analyzing a Decade of Contemporary Chinese Art through a Study of Xu Bing's Work from Three Periods." Yishu Jia (Artists). no. 293 (Taiwan), p. 281-287.
Karatani, Koujin. "Xu Bing." Xu Bing: A Book from the Sky. Exhibition cat. (Tokyo: Tokyo Gallery, 1991).
Karetzky, Patricia Eichenbaum. "A Modern Literati: The Art of Xu Bing." Oriental Art. Vol. XLVII, no. 4 (Hong Kong: 2001), p. 47-52.
Kato, Chihiro. "Chinese Avant-garde Art: Creation of 4,000 Real-looking But Spurious Ideograms." Aera. vol.41, no. 4 (October 1991), p. 50.
Kesner, Ladislav. "To Frighten Heaven and Earth and Make the Spirits Cry." Exhibition catalogue. (Prague: the National Gallery, 2000).
Kim, Yu Yeon. "Fragmented Stories." Cinco Continentes y una Ciudad. (Gobierno del Distrito Federal, 1998), p. 131.
Kivirinta, Marja-Terttu. "Xu Bing naki Nepalin koyhyyden." (Xu Bing Saw Poverty in Nepal) Helsingin Sanomat. (June 27, 2000).
Koh, Germaine "Xu Bing." Crossings. Exhibition catalogue. (Ottawa: National Gallery of Canada, 1998), p. 174-179.
Komatsuzaki Takuo, "Where is a single anthology - Infinite Chinese and letter Play." The Library of Babel. Exhibition Catalogue. (Tokyo: ICC-NTT Inter Communication Center, 1998).
Le Courtois-Mitchell, Vivienne. "Making Art: A Role for Live Animals in Installation and Performance Art in the 1990s." Eyelevel Magazine. Premiere issue, (Denver:
Autumn, 2001), p. 3-5.
Leng Lin. "Art for the People: Xu Bing Participates in Creating." Diancang (Art and Collection).
Li Qun. "My Opinions of 'New Wave Art': A Discussion with Du Lian." Wenyi Bao (Literature and Art Newspaper). (Beijing: March 30, 1991), p. 6.
Liang Yihu. "Breaking the Stubbornnes of Chinese Characters: Xu Bing's "A Book from the Sky'." Tu po (Breakthrough). vol. 177, no. 7-8 (Hong Kong: 1989).
Liu Ke-su. "'A Mirror to Analyze the World' and Relationships to the Concept of Chi." Meishu (Fine Art). Beijing: May 1990).
Liu Xiaochun. "Looking for the 'Realness' of Off-the-Frame Art: Chen Danqing's Critique of Xu Bing." Meishu Guangcha (Fine Art Observation). p. 5-6.
Liu Xiaochun. "Instead of Following, Find an Entry Point within Avant-garde Art." Jieti Yu Chongjian-Lun Zhongguo Dangdai Meishu (Deconstructing and Rebuilding:
Discussing Chinese Contemporary Art). (Jiangsu: Fine Art Press, 1993), p. 244-250.
Lloyd, Ann Wilson. "Binding Together Cultures With Cords of Wit." The New York Times. Arts and Leisure Section (June 18, 2000), p. 35, 37.
Lloyd, Ann Wilson. "Lost and Found." Xu Bing: Language Lost. Exhibition catalogue (Boston: Massachusetts College of Art, 1995), p. 20-24
Lloyd, Ann Wilson. "Reality-trek."Delicate Balance: Six Routes to the Himalayas. Exhibition catalogue (Helsinki: Kiasma Museum of Contemporary Art, 2000), p. 40-41.
Lloyd, Ann Wilson."Xu Bing at Massachusetts College of Art, Boston." Sculpture Magazine. Review (January 1996).
Lu, Sheldon Hsiao-peng. "Global POSTmoderIZATION: the Intellectual, the Artist and China's Condition." boundary 2. Vol. 24, no. 3 (Durham: Duke University Press, 1997), p. 92-95.
Mong, Adrienne." The Power of Make-Believe." ART FAR EASTERN ECONOMIC REVIEW. (Sept. 14, 2000), p. 84-85.
Olivova, Lucie. "Cinsky Grafik Xu Bing." Novy Orient. Rocnik 56 (Prague: 2001).
Olivova, Lucie. "Nase Generace Povazuie Kultiuru z a Cosi Zmateneho." Atelier Prague. Vol. 20 (Prague: 2000).
O'Sullivan, Michael. "Xu Bing's Verbal Cure." The Washington Post. Weekend edition, Arts Section (Friday, November 2, 2001), p. 53.
Paschal, Huston. Reading Landscape. Gallery guide (Raleigh: North Carolina Museum of Art, 2001).
Pasquariello, Lisa. "From Work to Text and Back Again" Fractured Fairy Tales: Art in the Age of Categorical Disintegration. Exhibition catalogue (Durham: Duke University
Museum of Art, 1996), p. 13-24.
Peterson, Michael. "A Book that Resists Reading the Enormous Signs of Xu Bing." Fine Art. (New York: January 1992), p. 1-3.
Rawanchaikul, Toshiko. "Xu Bing", The 1st Fukuoka Asian Art Triennale 1999. Exhibition catalogue (Fukuoka: Fukuoka Asian Art Museum, 1999).
Reuter, Laurel. "Into the Dark Sings the Nightingale: The Work of Xu Bing." Xu Bing Series Exhibition 1. Exhibition brochure (Grand Forks: North Dakota Museum of Art, 1992), p. 1-3
Reuter, Laurel. "Musing into Winter." Art Journal. Vol. 53, no. 3 (New York: CAA-College Art Association, 1994), p. 46-59.
Rhem, James. "Review of Exhibition of Three Installations by Xu Bing, Elvehjem Museum of Art, Madison, Wisconsin." New Art Examiner. Vol. 19, No. 9 Wisconsin, 1992), p. 37.
Shaw-Eagle, Joanna. "Monumental Wordplay At Sackler." The Washington Times. Arts and Entertainment Section (November 17, 2001). p. D4.
Sherman, Mary. "Xu Bing and a Prayer." ARTnews. Vol.94, No. 10 (New York: December 1995), p. 55-56.
Silbereld Jerome, Persistence/Transformation: text as image in the art of Xu Bing
Smith, Karen. "Xu Bing's New Work: Cultural Animals." Hsiung Shih Meishu. No. 285 (November 1994), p. 82-4.
Solomon, Andrew. "An Ancient Garden Youthfully Abloom: Chinese Art Today." The New York Times. Arts and Leisure Section, section 2 (Sunday, November 11, 2001), p. 35 36.
Stone, Charles. "Xu Bing and the Printed Word," Public Culture. Vol.6, No. 2 (Chicago: University of Chicago Press, 1994), p. 407-410.
Sturman, Peter C. "Measuring the Weight of the Written Word: Reflections on the Character-Paintings of Chu Ko and the Role of Writing in contemporary Chinese Art."
Orientations. Vol. 23, No. 7 (Hong Kong: 1992), p. 44-52.
Wang, Eugene Yuejin. "Of Text and Texture: The Cultural Relevance of Xu Bing's Art." Xu Bing: Language lost. Exhibition catalogue. (Boston: Massachusetts College of Art), 1995), p. 7-15.
Weintraub, Linda. "Allegorical Persona." Animal.Anima.Animus. Exhibition catalolgue. (Helsinki: Pori Art Museum, 1998), p. 43-49.
Wu Hung. "Counter Monument: Xu Bing's Ghosts Pounding on the Wall." Transience: Chinese Experimental Art at the End of the 20th Century. Exhibition catalogue (Chicago: The Smart Gallery and the University of Chicago, 1999), p. 31-35.
Wu, Hung. "A Ghost Rebellion: Notes on Xu Bing's 'Nonsense Writing' and Other Works." Public Culture. Vol. 6, no. 2 (Chicago: University of Chicago, 1994), p. 411-418.
Yang, Alice. "Xu Bing: Rewriting Culture." Why Asia? Contemporary Asian and Asian American Artists. (New York: New York University Press, 1998), p. 24-9.
Yang, Alice. "Beyond Nation and Tradition: Art in Post-Mao China." Why Asia? Contemporary Asian and Asian American Artists. (New York: New York University Press, 1998), p. 107-118.
Yao Souchou. "Xu Bing: Frighten Heaven and Make the Spirits Cry", (exhibition catalogue, Beyond the Future: The Third Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, 1999).
Yee, Lydia. "Xu Bing." Xu Bing: Recent Work. Exhibition brochure (New York: The Bronx Museum of Arts, 1994), p. 1-2.
Yee, Lydia. "Xu Bing." Sydney Biannale. Exhibition catalogue (Sydney: Biennale of Sydney, Ltd., 2000), p. 128-9.
Yin, Jinan. "Ghosts Pounding the Wall and Meaninglessness." Hsiung Shih Meishu. Vol. 235 (September 1990), p. 125-133.
Ying Wang, Reinventing Tradition in A new World: The arats of Gu Wenda, Wang Mansheng, Xu Bing and Zhang Hongtu
Zheng Shengtian. "Madison Gui Da Qiang." Hsiung Shih Meishu. Vol. 253 (Taipei: November 1991), p. 119-124.
Zheng Shengtian with Norman Klein. "Langchao zhi di." (At the Base of the Wave.) Hsiung Shih Meishu. Vol 249 (Taipei: November 1991), p. 178-181.
"Seven Critics Discuss 'Elementary New English Calligraphy' by Xu Bing." (Wang yichuan, Dao Zi, Zhang Yiwu, Lei Yi, Feng Boyi, Bai Qianshen, John R. Finlay) Artscircle.
No.129 (Guangxi, China: February 1997), p. 21-24.